Jean Baptiste Camille Corot, 1865 - Souvenir of the Environs of Lake Nemi - konsttryck

"Souvenir of the Environs of Lake Nemi" skapad av Jean Baptiste Camille Corot som din nya konstkopia

This piece of art was created by Jean Baptiste Camille Corot in 1865. The 150 years old piece of art was painted with the exact size: 98,4 × 134,3 cm (38 3/4 × 52 7/8 tum). Oil on canvas was used by the artist as the technique for the masterpiece. The original masterpiece has the following inscription: inscribed lower left: Corot 1865. Numera utgör detta konstverk en del av Art Institute Chicagos art collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. We are happy to mention that this allmängods mästerverk ingår med artighet av Art Institute Chicago. Kreditlinjen för konstverket: Bequest of Florence S. McCormick. Dessutom är anpassningen av den digitala reproduktionen liggande med ett förhållande på 1.4: 1, vilket innebär att längden är 40% längre än bredden.

Material du kan välja

I produktrullgardinsmenyn kan du välja storlek och material enligt dina preferenser. Vi låter dig välja din favoritstorlek och -material bland följande produktindividualiseringsalternativ:

• Affischtrycket (dukmaterial): Our poster print is a UV printed flat cotton canvas with a slight surface structure. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm around the painting, which facilitates the framing.
• Aluminium dibond-tryck (metall): This is a metal print made on aluminium dibond with a true depth. For our Print On Aluminum Dibond, we print the work of art onto the surface of the white-primed aluminum composite. The white & bright sections of the original artpiece shine with a silk gloss, however without glow. The colors are luminous and vivid in the highest definition, the details appear crisp. This direct UV print on aluminium is the most popular entry-level product and is an extremely stylish way to showcase fine art prints, as it puts 100% of the viewer’s attention on the replica of the artwork.
• Canvastryck: A printed canvas, not to be confused with an artwork painted on a canvas, is a digital replica printed on a cotton canvas material. A canvas generates a exclusive look of three dimensionality. Also, a printed canvas produces a charming and comfy appearance. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without the help of any wall-mounts. Canvas prints are suitable for all types of walls.
• Det glänsande akrylglastrycket: The acrylic glass print, which is sometimes described as a UV print on plexiglass, will convert the original into lovely décor. The work of art is being made with modern UV direct printing technology. The major advantage of an acrylic glass art print is that contrasts and minor details will be more identifiable with the help of the precise gradation of the picture.

Viktig anmärkning: We try to describe our art products as accurately as possible and to display them visually on the different product detail pages. At the same time, the pigments of the print materials and the print result may diverge to a certain extent from the image on the screen. Depending on your screen settings and the quality of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version depicted here. Bearing in mind that our fine art prints are printed and processed by hand, there might as well be slight deviations in the size and exact position of the motif.

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Konstverksbeskrivning av Art Institute Chicago (© Copyright - Art Institute Chicago - Art Institute Chicago)

Camille Corot returned to Paris in 1843 from the last of three trips to Italy, but the Italian countryside continued to dominate his art. While the Realists painted peasants and scenes of rural life, the elderly Corot preferred landscapes, with which he could convey a timeless, classical past. Although this picture represents a famous hillside lake in northern Italy, Corot transformed the topography into a personal, bucolic reminiscence (souvenir) through his use of silvery grays and intense deep greens.