Edgar Melville Ward, 1898 - Kopparsmeden - konsttryck

Vad du bör veta denna mer än 120 år gamla målning

Detta konstverk målades av konstnären Edgar Melville Ward. Det bortom 120 years old original had the following size of 23 7/8 x 21 in (60,5 x 53,3 cm). Oil on canvas was applied by the artist as the technique for the artpiece. This work of art forms part of the art collection of Metropolitan Museum of Art, som är ett av världens största och finaste konstmuseer, som omfattar mer än två miljoner konstverk som spänner över fem tusen år av världskultur, från förhistoria till nutid och från alla delar av världen.. Med tillstånd av Metropolitan Museum of Art, New York, Gift of Several Gentlemen, 1900 (licens för allmän egendom). Dessutom har konstverket följande kreditgräns: Gåva av flera herrar, 1900. Dessutom är anpassning av den digitala reproduktionen porträtt och har ett bildförhållande på 1: 1.2, Vilket innebär att längden är 20 % kortare än bredden.

Beställ det material du vill hänga upp i ditt hem

För varje konsttryck erbjuder vi en rad olika storlekar och material. Följande storlekar och material är alternativen vi erbjuder dig för individualisering:

• Duk: The printed canvas, which shall not be confused with a canvas painting, is a digital replica printed from an industrial printing machine. In addition to that, a canvas print makes a homelike and appealing ambience. A canvas print of this artpiece will let you turn your personal fine art print into a large work of art. How do I hang a canvas on the wall? Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.
• Aluminium dibond-tryck (metall): These are metal prints on aluminium dibond material with a true effect of depth. Its non-reflective surface make a fashionable look. The bright and white sections of the artpiece shimmer with a silky gloss but without glare. The colors of the print are luminous and vivid in the highest definition, fine details of the print are crisp and clear. The direct UV print on aluminium is one of the most demanded entry-level products and is an extremely stylish way to showcase artworks, because it puts 100% of the viewer’s focus on the replica of the artwork.
• Affischtryck på dukmaterial: Our poster is a printed canvas with a nice surface structure, that resembles the original masterpiece. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the print motif in order to facilitate the framing with your custom frame.
• Akrylglastryck (med äkta glasbeläggning): An acrylic glass print, which is sometimes denoted as a print on plexiglass, will convert your selected original artwork into magnificient décor. Our acrylic glass protects your selected fine art print against light and heat for decades.

Viktig anmärkning: We try everything to depict the products as exact as possible and to demonstrate them visually. At the same time, the tone of the print products and the printing may vary to a certain extent from the presentation on your device's screen. Depending on the screen settings and the quality of the surface, colors may not be printed as realistically as the digital version on this website. Since the art prints are processed and printed by hand, there may also be minor variations in the exact position and the size of the motif.

Artikelinformation

Detaljer om det unika konstverket

Strukturerad artistinformation

Denna text är immateriell egendom och skyddas av upphovsrätt © | Artprinta.com

(© - av The Metropolitan Museum of Art - Metropolitan Museum of Art)

The Ohio-born Ward studied at the National Academy of Design in New York from 1865 to 1870 and at the École des Beaux-Arts in Paris from 1872 to 1878. A consummate academic, he began teaching at the National Academy in 1882 and directed the school from 1889 to 1909. His paintings, which often depict tradesmen and craftsmen, demonstrate his meticulous academic style. "The Coppersmith" reflects late nineteenth-century nostalgia for the past and for beautiful handicrafts in an increasingly industrialized age. Here, Ward ennobles a metalworker by presenting him as a dignified artist in his studio.