Alexander Roslin, 1769 - John Jennings Esq., hans bror och svägerska - konsttryck

Ytterligare beskrivning finns från museets hemsida (© - av Nationalmuseum Stockholm - Nationalmuseum Stockholm)

English: The portrait shows the iron-foundry proprietor and businessman John Jennings, his brother and sister-in-law. John Jennings is shown sitting at the front of the painting, proudly showing off his relations with a sweeping gesture. This group portrait invites us into the androgynous role-playing of the 18th century. The characters are all wearing makeup, they are finely dressed and they act out gestures and looks towards the beholder of the painting. This theatricality is also evident in the bodies of the characters. Look at the sister-in-law’s upright stance and the elegant gestures of the brothers. These show how our bodies and the way in which we move are formed by the age in which we live. The 18th century was an age of tight corsets, ceremonial rituals and obligatory ballet exercises at court. These exercises were common to both men and women and they had a strong influence on the way people moved their bodies. Try holding your hands in the same positions that we see in the painting. The positions feel strange to say the least. Practice was needed! Role-playing and masquerades were favorite pastimes of 18th century aristocratic society. There was no strict boundary between female and male appearance. Not even in everyday terms. Our meeting with Roslin’s 18th century portraits helps us to understand the conventions of our own time regarding what is considered masculine, feminine, androgynous, sexual and erotic. We are reminded that the conventions are in a constant state of change. Porträttet visar Brukspatron John Jennings, hans bror och svägerska. John Jennings själv sitter längst fram och visar stolt upp sina släktingar med en yvig gest. I detta grupporträtt blir vi verkligen inbjudna till 1700-talets androgyna rollspel. De är alla uppsminkade, uppklädda och agerar, med gester och blickar gentemot oss som betraktar. Den här teatern sätter sig också i kroppen. Titta på porträttet – svägerskans raka hållning, och de båda brödernas eleganta gester berättar något om hur vår kropp och våra rörelsemönster också formas av tiden vi lever i. Under 1700-talet var det korsetter, olika ceremoniella ritualer och obligatoriska övningar i balett vid hovet. Sådana övningar var gemensamma för män och kvinnor och präglade kropparnas rörelsemönster. Pröva själv att hålla händerna som de gör – visst är det ovant för att inte säga svårt – det krävde övning! Rollspel och maskerad var något som fascinerade 1700-talets överklass. Gränserna mellan hur män och kvinnor såg ut var inte så strikta. Vilket utnyttjades i teater, spel och lekar. Även i vardagen. I mötet med Roslins porträtt från 1700-talet får vi syn på vår egen tids konventioner kring vad som anses maskulint, feminint, androgynt, sexuellt och erotiskt. Och inser att konventionerna är i ständig förändring.

Produktförklaring

This 18th century piece of art was painted by Alexander Roslin in 1769. Originalet av konststycket mäter storleken: Höjd: 121 cm (47,6 tum); Bredd: 148 cm (58,2 ″) Inramad: Höjd: 166 cm (65,3 ″); Bredd: 175 cm (68,8 tum); Djup: 20 cm (7,8 tum). Moveover, this artwork is part of the Nationalmuseum Stockholm's digital collection, which is located in Stockholm, Stockholms län, Sverige. De klassisk konst allmängods konstverk förses med artighet av Nationalmuseum Stockholm & Wikimedia Commons.Konstverkets kreditlinje: . Dessutom är anpassningen inne liggande format och har ett bildförhållande på 1.2 : 1, vilket betyder att längden är 20% längre än bredden. Alexander Roslin was a male painter from Sweden, whose style can primarily be assigned to Rococo. The European painter was born in 1718 i Malmö, Skåne, Sverige och avled vid en ålder av 75 i 1793.

Välj ett alternativ för produktmaterial

Produktens rullgardinsmeny ger dig möjlighet att välja din individuella storlek och material. Du kan välja bland följande produktanpassningsalternativ:

• Poster (dukmaterial): A poster print is a printed canvas paper with a slightly roughened surface finish. A poster print is excellently qualified for placing your art replica in a customized frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the artwork, which facilitates the framing with your custom frame.
• Tryck på blankt akrylglas (med äkta glasbeläggning): A glossy acrylic glass print, which is sometimes described as a UV print on plexiglass, will turn your favorite original into amazing décor. The work of art will be custom-made with state-of-the-art UV direct printing technology. The acrylic glass protects your selected fine art print against light and external influences for many more years.
• Aluminium dibond tryck: These are metal prints on aluminium dibond material with a true depth. A direct Aluminium Dibond Print is the excellent introduction to the sophisticated world of replicas produced on aluminum. Colors are luminous in the highest definition, the fine details of the print appear crisp, and you can truly feel a matte appearance of the art print surface.
• Canvastrycket: The canvas direct print is a printed cotton canvas stretched on a wooden frame. Your canvas of your favorite masterpiece will provide you with the unique opportunity of transforming your own into a large artpiece like you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up the Canvas print without additional wall-mounts. That is why, canvas prints are suitable for any kind of wall.

Bakgrundsinformation om konstnären

Detaljer om originalkonstverket

Produktspecifikationerna

Viktig anmärkning: We try everything in order to describe our products with as many details as possible and to display them visually. However, some pigments of the print products, as well as the printing might differ somehwat from the presentation on the device's screen. Depending on your screen settings and the quality of the surface, color pigments can unfortunately not be printed as realistically as the digital version depicted here. In view of the fact that all our art reproductions are processed and printed by hand, there might also be slight variations in the size and exact position of the motif.

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