Hans Maler, 1525 - Ulrich Fugger den yngre (1490–1525) - konsttryck
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Över 490 year-old artwork was created by the northern renaissance master Hans Maler in 1525. The version of the artwork has the size of 15 7/8 x 12 3/4 tum (40,3 x 32,4 cm) och tillverkades med Tekniken of oil on linden. Moveover, this artwork can be viewed in in the Metropolitan Museum of Art's collection in New York City, New York, United States of America. With courtesy of - Metropolitan Museum of Art, New York, arv efter Benjamin Altman, 1913 (licens - allmän egendom). Dessutom har konstverket följande kreditgräns: testamente av Benjamin Altman, 1913. Vidare är anpassningen av den digitala reproduktionen inne porträtt format och har ett sidoförhållande på 1: 1.2, Vilket innebär att längden är 20 % kortare än bredden. The painter Hans Maler was an artist from Germany, whose artistic style can primarily be classified as Northern Renaissance. The German artist was born in 1475 in Ulm, Baden-Wurttemberg, Germany and deceased at the age of 54 i 1529.
Artwork depiction from The Metropolitan Museum of Art website (© - Metropolitan Museum of Art - Metropolitan Museum of Art)
Hans Maler produced numerous portraits of members of the Fugger family, who by the sixteenth century had become one of Europe’s greatest mercantile and banking dynasties. This painting shows Ulrich Fugger the Younger at age thirty-five, in the final year of his life, when he represented his family in the flourishing mining center of Schwaz in Tirol. A nearly identical version exists in a private collection. The Fuggers may have commissioned such relatively small portraits in multiples to distribute among family members and important business partners and to decorate the family’s residences and offices.
Detaljer om konstverket
Konstverkets titel: | "Ulrich Fugger the Younger (1490–1525)" |
Klassificering av konstverk: | målning |
Konstklassificering: | klassisk konst |
Tid: | 16. talet |
Konstår: | 1525 |
Konstverkets ålder: | runt 490 år |
Ursprungligt medium: | olja på lind |
Originalkonststorlek: | 15 7/8 x 12 3/4 tum (40,3 x 32,4 cm) |
Utställd i: | Metropolitan Museum of Art |
Plats för museet: | New York, New York, USA |
Museets hemsida: | Metropolitan Museum of Art |
Licens typ: | allmängods |
Sponsrad av: | Metropolitan Museum of Art, New York, arv efter Benjamin Altman, 1913 |
Kreditlinje för konstverk: | testamente av Benjamin Altman, 1913 |
Artist sammanfattning
Artistnamn: | Hans Maler |
Alternativa namn: | Schwarz Hans Maler zu, Maler, Maler Hans, Maler zu Schwaz Johan, Hans Maler Zu Schwaz, Maler Hans i, Maler zu Schwaz Hans, Giovanni Malerg, Giovanni Malerg Tedesco, Maler von Ulm Hans, Hans Maler |
Artistens kön: | man |
Artist nationalitet: | tyska |
Konstnärens yrken: | målare |
Ursprungsland: | Tyskland |
Artistkategori: | gammal mästare |
Konststilar: | Nordrenässansen |
Livslängd: | 54 år |
Födelseår: | 1475 |
Födelseort: | Ulm, Baden-Württemberg, Tyskland |
År dog: | 1529 |
Valbara material
Vi erbjuder en rad olika storlekar och material för varje produkt. För att matcha dina personliga krav perfekt kan du välja mellan följande produktanpassningsalternativ:
- Aluminium dibond tryck: An Aluminium Dibond print is a print with an outstanding depth. A non-reflective surface creates a contemporary look. The bright & white parts of the original artpiece shine with a silky gloss, however without glow. The colors of the print are luminous, fine details are clear and crisp.
- Tryckt affisch (dukmaterial): A poster print is a printed sheet of flat cotton canvas with a slight surface texture, that reminds the actual version of the artwork. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the print in order to facilitate the framing with your custom frame.
- Akrylglastryck (med äkta glasbeläggning): An acrylic glass print, which is often referred to as a UV print on plexiglass, will convert your favorite artwork into home decoration. The work of art is being manufactured thanks to the help of state-of-the-art UV direct printing technology. The special effect of this are sharp and vivid color tones. The great upside of an acrylic glass fine art copy is that contrasts and small details will be more exposed due to the very subtle tonal gradation of the print. Our acrylic glass protects your custom art replica against sunlight and heat for decades.
- Canvastrycket: The printed canvas material applied on a wooden frame. What is more, canvas print makes a homelike and warm feeling. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up your Canvas print without any wall-mounts. Canvas prints are suited for any kind of wall.
Detaljer om strukturerade föremål
Skriv ut kategorisering: | konsttryck |
reproduktion: | reproduktion i digitalt format |
Tillverkningsmetod: | digitaltryck (UV direkttryck) |
Tillverkning: | tillverkas i Tyskland |
Typ av lager: | produktion på begäran |
Föreslagen produktanvändning: | hemdesign, konstsamling (reproduktioner) |
Orientering: | porträttuppriktning |
Bildförhållande: | längd till bredd 1: 1.2 |
Bildförhållande implikation: | längden är 20 % kortare än bredden |
Tillgängligt reproduktionsmaterial: | akrylglastryck (med äkta glasbeläggning), affischtryck (canvaspapper), canvastryck, metalltryck (aluminium dibond) |
Canvas på bårram (canvastryck) storlekar: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Akrylglastryck (med äkta glasbeläggning): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Affischtryck (canvaspapper) varianter: | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Dibond-tryck (alumniummaterial): | 50x60 cm - 20x24", 100x120 cm - 39x47" |
Inramning av konstexemplaret: | ingår ej |
Important note: We try everything to describe our art products in as much detail as possible and to illustrate them visually on the respective product detail pages. Nevertheless, the pigments of the print materials and the printing can differ somehwat from the image on your monitor. Depending on the screen settings and the nature of the surface, color pigments might not be printed as exactly as the digital version. In view of the fact that the fine art prints are processed and printed by hand, there might as well be slight deviations in the motif's size and exact position.
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