Thomas Cole, 1842 - The Voyage of Life: Old Age - konsttryck

Smakämnen 19. talet målning med titeln Livets resa: ålderdom målades av den manlige konstnären Thomas cole. The artpiece is part of the art collection of National Gallery of Art located in Washington DC, USA. Vi är glada att hänvisa till att allmängods konstverk förses med artighet av National Gallery of Art, Washington.Konstverkets kreditlinje: . Utöver detta är anpassningen liggande med ett bildförhållande på 3: 2, Vilket innebär att längden är 50% längre än bredden. The painter Thomas Cole was a North American artist from United States, whose style can mainly be assigned to Romanticism. The Romanticist painter was born in 1801 i Lancashire, England, Storbritannien, län och gick bort vid en ålder av 47 år 1848 i Catskill, Greene county, delstaten New York, USA.

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Originalkonstspecifikationer från National Gallery of Art (© - National Gallery of Art - National Gallery of Art)

Cole's renowned four-part series traces the journey of an archetypal hero along the "River of Life." Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of "Youth" and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature's fury, evil demons, and self-doubt will threaten his very existence. Only prayer, Cole suggests, can save the voyager from a dark and tragic fate.

From the innocence of childhood, to the flush of youthful overconfidence, through the trials and tribulations of middle age, to the hero's triumphant salvation, The Voyage of Life seems intrinsically linked to the Christian doctrine of death and resurrection. Cole's intrepid voyager also may be read as a personification of America, itself at an adolescent stage of development. The artist may have been issuing a dire warning to those caught up in the feverish quest for Manifest Destiny: that unbridled westward expansion and industrialization would have tragic consequences for both man and nature.

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