Jan Steen, 1668 - Läkarens besök - konsttryck

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Det här är över 350 år gammal målning målades av Dutch målare John Steen. De 350 år gammal version av målningen hade följande storlek: höjd: 60,5 cm bredd: 48,5 cm | höjd: 23,8 i bredd: 19,1 tum. Olja på panelen was used by the Dutch painter as the medium of the work of art. The artpiece has the following text as inscrption: signerad: JSteen.. Numera ingår detta konstverk i den digitala samlingen av Mauritshuis. Detta klassiska konstverk för offentlig egendom ingår med tillstånd av Mauritshuis, Haag. Kreditgränsen för konstverket är: Johan van Schuylenburch sale, The Hague, 20 September 1735 (Lugt 453), no. 71 (175 guilders); Isaak Hoogenbergh sale, Amsterdam, 10 April 1743 (Lugt 576), no. 38 (for 150 guilders to Lormier); Willem Lormier, The Hague; his sale, The Hague, 4 July 1763 (Lugt 1307), no. 256 (for 460 guilders to Tethart Philipp Christian Haag for Prince William V); Prince William V, The Hague, 1763-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. Förutom detta är anpassningen av den digitala reproduktionen porträtt med ett förhållande på 1:1.2, vilket innebär att längden är 20 % kortare än bredden. Jan Steen was a painter of Dutch nationality, whose art style can be attributed primarily to Baroque. The Baroque artist was born in the year 1626 in Alkmaar, North Holland, Netherlands and deceased at the age of 53 i år 1679.

Originalinformation om konstverket av museets hemsida (© - av Mauritshuis - Mauritshuis)

Johan van Schuylenburch sale, The Hague, 20 September 1735 (Lugt 453), no. 71 (175 guilders); Isaak Hoogenbergh sale, Amsterdam, 10 April 1743 (Lugt 576), no. 38 (for 150 guilders to Lormier); Willem Lormier, The Hague; his sale, The Hague, 4 July 1763 (Lugt 1307), no. 256 (for 460 guilders to Tethart Philipp Christian Haag for Prince William V); Prince William V, The Hague, 1763-1795; confiscated by the French, transferred to the Muséum central des arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822

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• Affisch på dukmaterial: Our poster is a UV printed flat cotton canvas paper with a slightly rough finish on the surface, that resembles the actual artwork. The print poster is ideally designed for framing your art print using a custom-made frame. Please keep in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the painting in order to facilitate the framing with your custom frame.
• Aluminiumtryck (aluminium dibond): Aluminium Dibond prints are prints on metal with an outstanding effect of depth. For our Print On Aluminum Dibond, we print the favorite artwork on the surface of the aluminum composite. The white & bright parts of the work of art shimmer with a silky gloss, however without glare.
• Duk: The canvas direct print is a printed cotton canvas mounted on a wooden frame. A canvas produces the particular look of three dimensionality. Hanging a canvas print: Canvas prints are relatively low in weight. That means, it is quite simple to hang your Canvas print without the support of any wall-mounts. Therefore, canvas prints are suited for all types of walls.
• Akrylglastrycket (med äkta glasbeläggning): The acrylic glass print, which is sometimes referenced as a UV print on plexiglass, changes the original into beautiful décor. The artwork is being made with the help of state-of-the-art UV direct print technology. This makes intense and sharp colors. With an acrylic glass art print contrasts as well as image details will be visible with the help of the fine tonal gradation of the picture. Our real glass coating protects your selected art replica against light and heat for many years to come.

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Ansvarsfriskrivning: We try everythig possible to depict our products as accurate as possible and to illustrate them visually on the respective product detail pages. At the same time, the colors of the printed materials and the imprint may differ somehwat from the representation on your screen. Depending on the screen settings and the condition of the surface, colors can unfortunately not be printed as realistically as the digital version. Because all our fine art prints are processed and printed by hand, there might also be minor deviations in the size and exact position of the motif.

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