Master of the Holy Blood - Nedstigningen från korset - konsttryck
Inkl. Moms Frakt beräknas i kassan.
Ytterligare specifikationer finns på museets hemsida (© - Metropolitan Museum of Art - Metropolitan Museum of Art)
The Master of the Holy Blood, an uninventive and repetitive artist who appears to have been trained in Antwerp and to have settled in Bruges, takes his name from a Lamentation altarpiece in the Heilig Bloedmuseum, Bruges. The center panel of the present work is a late reflection of a lost but often copied Descent from the Cross by Rogier van der Weyden. To this essentially fifteenth-century composition have been added wings with individual saints that show the influence of the early-sixteenth-century Antwerp painter, Quentin Massys. There is in-painting along several vertical splits and joins which had separated, particularly in the center panel.
Produktutbudet
Nedstigningen från korset was painted by the painter Master of the Holy Blood. The version of the piece of art measures the size: Central panel, overall 36 x 28 1/2 in (91,4 x 72,4 cm), painted surface 35 5/8 x 28 1/2 in (90,5 x 72,4 cm); left panel, overall 36 x 12 3/8 in (91,4 x 31,4 cm), painted surface 35 1/2 x 12 3/8 in(90,2 x 31,4 cm); right panel, overall 35 7/8 x 12 5/8 in (91,1 x 32,1 cm), painted surface 35 3/8 x 12 1/2 in (89,9 x 31,8 cm). Oil on wood was applied by the European artist as the medium of the painting. The piece of art belongs to the Metropolitan Museum of Art's konstsamling, som är ett av världens största och finaste konstmuseer, som omfattar mer än två miljoner konstverk som spänner över fem tusen år av världskultur, från förhistoria till nutid och från alla delar av världen.. Med tillstånd av The Metropolitan Museum of Art, New York, Gift of Clyde Fitch and Ferdinand Gottschalk, 1917 (licens för allmän egendom). Kreditgränsen för konstverket är: Gift of Clyde Fitch and Ferdinand Gottschalk, 1917. What is more, the alignment of the digital reproduction is in landscape format and has a ratio of 16 : 9, meaning that längden är 78% längre än bredden. The painter Master of the Holy Blood was an artist, whose style can mainly be classified as Northern Renaissance. The Dutch artist lived for a total of 10 years - born in 1515 och dog 1525.
Dina produktmaterialval
The product dropdown menu gives you the chance to select your prefered material and size. Select your preferred size and material among the subsequent alternatives:
- Akrylglastryck: A glossy acrylic glass print, often referred to as a plexiglass print, will convert your favorite original artwork into beautiful décor. Your own copy of the work of art will be made with the help of state-of-the-art UV direct print machines. This has the image effect of vibrant and impressive colors. The major benefit of an acrylic glass fine art copy is that contrasts as well as small artwork details will be identifiable because of the precise gradation of the print.
- Affischtryck på dukmaterial: Smakämnen Artprinta poster is a UV printed flat cotton canvas with a slightly rough surface finish. Please keep in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm round about the print to facilitate the framing with a custom frame.
- Aluminiumtryck (aluminium dibond): An Aluminium Dibond print is a print material with an impressive depth effect. The non-reflective surface structure make a fashionable look. The bright & white components of the original artpiece shine with a silky gloss but without the glow. The colors of the print are luminous, the fine details appear crisp, and you can perceive a matte appearance of the print.
- Canvastryck: The canvas direct print is a printed cotton canvas mounted on a wooden frame. How do I hang a canvas print on the wall? Canvas prints are relatively low in weight. This means, it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suitable for any type of wall.
Bakgrundsinformation om konstnären
Namn: | Det heliga blodets mästare |
Nationalitet: | Dutch |
Jobb: | målare |
Land: | Nederländerna |
Konststilar: | Nordrenässansen |
Livslängd: | 10 år |
Född: | 1515 |
Död under året: | 1525 |
Strukturerade konstverksdata
Konstverkets namn: | "Närstigningen från korset" |
Klassificering av konstverket: | målning |
Originalmedium för konstverk: | olja på trä |
Storlek på originalkonstverket: | Central panel, overall 36 x 28 1/2 in (91,4 x 72,4 cm), painted surface 35 5/8 x 28 1/2 in (90,5 x 72,4 cm); left panel, overall 36 x 12 3/8 in (91,4 x 31,4 cm), painted surface 35 1/2 x 12 3/8 in(90,2 x 31,4 cm); right panel, overall 35 7/8 x 12 5/8 in (91,1 x 32,1 cm), painted surface 35 3/8 x 12 1/2 in (89,9 x 31,8 cm) |
Museum/plats: | Metropolitan Museum of Art |
Museets plats: | New York, New York, USA |
Museets webbsida: | www.metmuseum.org |
Licenstyp av konstverk: | allmängods |
Sponsrad av: | The Metropolitan Museum of Art, New York, Gift of Clyde Fitch and Ferdinand Gottschalk, 1917 |
Kreditgräns: | Gift of Clyde Fitch and Ferdinand Gottschalk, 1917 |
Artikelinformation
Skriv ut produkttyp: | reproduktion av konst |
Reproduktionsmetod: | reproduktion i digitalt format |
Produktionsprocess: | UV direkttryck |
Produkt Ursprung: | tysktillverkad |
Lager typ: | på begäran |
Avsedd produktanvändning: | vägggalleri, gallerivägg |
Justering av bilden: | liggande format |
Bildformat: | längd bredd - 16 : 9 |
tolkning: | längden är 78% längre än bredden |
Tillgängligt reproduktionsmaterial: | affischtryck (canvaspapper), metalltryck (aluminium dibond), akrylglastryck (med äkta glasbeläggning), canvastryck |
Duk på bårram (canvastryck) storleksalternativ: | 90x50 cm - 35x20", 180x100 cm - 71x39" |
Akrylglastryck (med äkta glasbeläggning) alternativ: | 90x50 cm - 35x20" |
Affischtryck (canvaspapper) storlekar: | 90x50 cm - 35x20" |
Aluminiumtryck (aluminium dibond material) storlekar: | 90x50 cm - 35x20" |
Ram: | ingår ej |
Viktig information: We try our utmost in order to describe our products as precisely as possible and to demonstrate them visually on the respective product detail pages. Although, some tone of the print materials and the imprint can diverge marginally from the representation on the screen. Depending on your screen settings and the quality of the surface, not all color pigments can be printed as realistically as the digital version. Since all our art prints are processed and printed manually, there may as well be minor deviations in the motif's exact position and the size.
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