cirkel av Le Nain, 1650 - Vintage scen och bondebarn som dansar (målningspar) - konsttryck

Detaljerad produktinformation

År 1650 konstnären krets av Le Nain painted the artpiece. The artwork had the size: Inramad: 111 x 142 x 8 cm (43 11/16 x 55 7/8 x 3 1/8 tum); Oinramad: 92 x 121 cm (36 1/4 x 47 5/8 tum) och målades med tekniken av olja på duk. Moveover, this artwork is in the the collection of The Cleveland Museum of Art in Cleveland, Ohio, USA. Med tillstånd av - The Cleveland Museum of Art (licens för allmän egendom). : Gåva av Mrs. Salmon P. Halle till minne av Salmon Portland Halle. Utöver det är anpassningen av den digitala reproduktionen liggande och har ett förhållande på 4: 3, Vilket innebär att längden är 33% längre än bredden.

Vilket skulle vara ditt föredragna produktmaterialalternativ?

Produktens rullgardinsmeny ger dig möjlighet att välja material och storlek. Följande alternativ är tillgängliga för individualisering:

• Affischtrycket (dukmaterial): The poster print is a printed flat canvas paper with a slightly roughened texture on the surface. It is designed for framing the art copy with the help of a customized frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin 2-6 cm round about the print in order to facilitate the framing with a custom frame.
• Akrylglastryck (med äkta glasbeläggning): The print on acrylic glass, which is often described as a fine art print on plexiglass, transforms your favorite original artwork into wonderful décor. Your artwork will be manufactured thanks to state-of-the-art UV printing technology. This creates the image effect of rich, sharp colors. The great upside of a plexiglass fine art print is that contrasts and granular artwork details become more exposed because of the subtle tonal gradation in the picture.
• Metall (aluminium dibond tryck): Aluminium Dibond prints are prints on metal with an impressive depth effect, creating a fashionable impression by having a non-reflective surface. The Aluminium Dibond Print is the perfect start to fine art replicas manufactured on aluminum. The bright & white parts of the original artwork shimmer with a silky gloss, however without glow. This direct UV print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to display art prints, as it draws focus on the whole artwork.
• Canvastryck: A printed canvas, which shall not be mistaken with an artwork painted on a canvas, is a digital replica applied onto canvas. A canvas produces a special look of three-dimensionality. A canvas print has the advantage of being relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without the help of additional wall-mounts. Because of thata canvas print is suitable for any kind of wall in your house.

Important note: We try everythig possible in order to depict the art products as exact as it is possible and to exhibit them visually in our shop. Please bear in mind that the colors of the printing material and the printing can diverge marginally from the image on the device's monitor. Depending on the settings of your screen and the quality of the surface, not all colors are printed one hundret percent realistically. In view of the fact that our art prints are printed and processed by hand, there might as well be slight discrepancies in the exact position and the size of the motif.

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Originalinformation om konstverket av The Cleveland Museum of Art (© Copyright - Cleveland Museum of Art - www.clevelandart.org)

The mid-17th century saw revived interest in representations of the lower classes. Artists like the Le Nain brothers in France painted scenes that looked back to the Renaissance tradition of pastoral imagery. The Le Nain often depicted ordinary country folk going about their daily business, subjects and figures they remembered from their childhood in rural Laon. Considered a companion piece to Peasant Children Dancing (1958.175.2), Vintage Scene has also been attributed to the Master of the Béguins, a Flemish artist who worked in the manner of the Le Nain in Paris. Here, good-natured though bawdy males drink in the background shade, while at center a sweet-faced young woman surrounded by chubby children flashes the viewer a coy smile that reveals her awareness of the slowly creeping hand of her drunk companion. While peasants drinking was a popular subject among Flemish artists, the theme of wine connects the subject with the grape harvest, which recalls the Le Nain's agricultural homeland in France. This use of both aesthetic and biographical aspects of the Le Nain's lives demonstrates the Master of Béguins' ability to absorb the stylistic and thematic lessons of the famous brothers. --Hannah Segrave (October 2013)